Surface Gallery

Mine The Mountain

Nicholas Hedges

Opening Night: Fri 5th March 6 - 8 pm

March 6th to March 19th 2010

"She belongs to that breed which loves mankind but forgets that mankind consists of individual persons”

Adam Czerniakow
The Warsaw Diary of Adam Czerniakow

The exhibition, Mine the Mountain, draws upon the artist’s personal experience at sites of historic trauma, such as Auschwitz-Birkenau, Belzec, Majdane; Ypres and Verdun, to engage in themes of the past, the present, family history, memory and the anonymous individual in history. This sits alongside an exploration of the notion of the ‘dark tourist’ (the tourist who visits sites of trauma) and the idea of tourism of the self.

Hedges questions whether it is possible to find, amongst the mountain of eradicated people, the individual to whom one might relate? With the exception of a few who wrote about their experiences, all that remains of the dead are mountains of shoes, ash and lists of names. From his own experience of Auschwitz as a tourist, Hedges then sought to become a tourist of his own past as he explores the relationship to the anonymous people he calls his ancestors. Mine succinctly conflates the theme of the First World War with Hedges’ family heritage as he journeys back to the Welsh mines of his family and pays tribute to the miners killed during WWI.

History, for Nicholas Hedges, consists of a series of encounters, as dialogues between the past and present, to encourage people to look at the past through the prism of their own lives in order to create a new history. Hedges presents these encounters in a vivid and veracious way through mixed-media installation.

Nicholas Hedges (b. Oxford, 1971) gained a 2.1 in Fine Art and Art History in 1993 and a Distinction in MA Contemporary Arts in 2008 from Oxford Brookes University.

http://minethemountain.nicholashedges.co.uk/

Speedboat Matchsticks

Laura Taylor

March 27th to April 8th 2010

Laura Taylor returns to Surface Gallery to exhibit a solo body of work after her success at last year’s Open Show 2009, which saw Laura achieve prize-winner status with her innovative mixed-media installation Something That Produces Results, Kulit (2008).

The exhibition Speedboat Matchsticks derives from experiment, play and the relationship between form and function. The work is characterised by loose and chaotic assemblages of motorised scrap, dismembered toys, daubed paint and hanging string. Functional objects are combined to become functionless (whilst still functioning). These constructed mechanisms are composed in the style of ‘over engineered apparatus’, retaining a continuous rule to engage and amuse, rather than to fulfil a purpose. Each construction speaks of optimism, whilst simultaneously poking fun at the inevitability of failure.

“When spun, when dropped, when pulled, when squeezed, when burnt, when frozen, when bent, when twisted, when blown, when snapped, when bounced, when cracked, when shattered, when ruptured, when split, when smashed, when pushed, when yanked, when hit, when spoiled, when dented, when scratched, when rolled, when turned, when broken…….”

‘The Observation of Objects’ 2008. L.K Taylor

The Opening Night will be held on Friday 26th March, between 6-8pm. This will be a great chance to view the work for the first time and meet the artist. 

War on Want

Opening night: 19th April 6-8pm

April 20th to April 24th 2010

http://www.documentphotoaward.org/

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Coming Soon

Speedboat Matchsticks

March 27th - April 8th 2010

Open Show 2009 winner Laura Taylor returns to exhibit a solo body of work which derives from experiment, play and the relationship between form and function

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War on Want

April 20th - April 24th 2010

http://www.documentphotoaward.org/

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Previous Exhibitions

The perfection of the iMperfect

February 23rd - February 27th 2010

A collection of unusual and explorative Photographs that set out to examine and challenge the notion of the perfect image, aiming to reveal that beauty is found in imperfection.

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