It’s hard to believe we’re already three weeks in! It doesn’t seem like long ago we were taking down the last exhibition and prepping the project space for our EM16 residents to arrive. Already the depth of work is fantastic and there’s still two weeks to go until opening night on November 4th. As Connie said in our interview, the project space is an inspiring one. Every time I pop into the project space, I see the work grow, new additions being added and refined and I’m more excited for it to be shared with everyone on opening night.
This week finishes up our series of critiques sessions, the group crit being led by Diana Ali and individual sessions led by Sumiko Eadon, Shelley MacDonald, Christine Stevens and Bruce Asbestos. All the artists seem to have really responded to the chance to get feedback from established artists who have experience in a gallery setting. Everyone seems to have used it to develop their work, as can be seen in my interview with Connie (here) and as I discussed a bit in my interview with Dave Dent (which you’ll have to wait until next week to read). My main worry about opening night is how we’re actually going to carry everything down, specifically a certain metres high monster.
Our workshops so far have been a great success, the volunteers have even been fully taking advantage to grab a space on one whenever they can. It might even be leading the way for something special from Surface in the future… It’s given our artists a chance to try something new in the creative field; that’s the beauty of the residency, and Surface in general for our volunteers, it’s about trying something new and finding what works for the individual.
While I mainly poke around everyone’s work, and I’m only a bit ashamed to admit, ask if I can touch it, our artists have been doing the real heavy work: designing posters, writing press releases and deciding what to do with that lovely big window of ours. Miriam has put countless hours into the poster design and Dave Dent worked on our press release; it’s nice to be able to get involved in every aspect of their graduate show to really have the control over how they present themselves. When they discussed design ideas, the concept that was constantly returned to was shedding the student skin and becoming artists in their own rights. The designs definitely do this - they’re bloody lovely, you can even read the press release and get a sample of the flyer here.
One of the things I’ve especially loved during my interviews is finding out why the name Pulse resonates with each artist and why they came to Surface because despite their work being so diverse, there is a theme that pulls them together. Life, movement, transition, change, and whether it’s come at from a confrontational or reflective place, it has all been about growth. That and me following them around with coffee asking for quotes.
Written by Lucinda Martin for Surface Gallery
Images 1 and 3 by Gavin 'Urban Shutterbug' Conwill
Image 2 by Surface Gallery